Pampered Manhattan housewife Desiree Harper has it all. That is until her husband unexpectedly dumps her for his acupuncturist. Faced with an airtight prenup, Desiree reluctantly lands a job making cupcakes at her father's bakery in Flemington, NJ. She soon discovers there's more to life than 5th Avenue and true love can be even sweeter in small town America.

The relationship between two best friends is forever changed during the course of one eventful night.

A haunted lighthouse inspires mysterious fascinations, visions, and nightmares.

To hear Scottish Ice hockey legend Tony Hand's story one can only compare it to the 2000 Academy Award nominated blockbuster Billy Elliot. The only difference is that Tony was an ice hockey player and his story is not a work of fiction. Tony Hand, grew-up in estate housing in Edinburgh's infamous Muirhouse neighborhood in the 1980s. It was a neighborhood blighted by drug addiction and crime. When he stumbles upon the unlikely sport of ice hockey his life would change forever.

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The story of a young single mother, Do Mi Sol, and her quest to make the world a warmer place to live in.

Nacho Nieto, a journalist specialising in paranormal activity, is at a professional and personal low. After a failed suicide attempt he comes back to life accompanied by the ghost of his mentor, doctor Estrada, iconic communicator of mystery, who died more than 20 years ago.

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Two self absorbed NYers give their own skewed version of the days events.

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.